Why Dagbamba learn other
tribes’ drumming; the difficulty of learning the Dagbani language; the
drumming styles and dancing of: Mossis, Kotokolis and Hausas
(Jɛbo, Gaabitɛ Zamanduniya, Mazadaji, Adamboli), Bassaris and
Chembas and Chilinsis, Dandawas, Wangaras, Gurumas, Konkombas, Frafras,
Ashantis, Yorubas; differences in the drummers from different towns
1. dances of the tribes: learning from experience and not from training 2. Alhaji Ibrahim has learned many dances 3. should beat without changing; otherwise make mistakes 4. Alhaji Ibrahim trained in Dagbon and traveled to the South; some dances only beaten in South; guŋgɔŋ has different ways
5. Dagbamba beat the dances of other tribes; other tribes cannot beat Dagbamba dances 6. Dagbamba drumming difficult for others; examples 7. this ability makes others wonder; another example 8. speculate that drumming is difficult because Dagbani is difficult 9. comes from intelligence and experience; differences among Dagbamba drummers; example: Dakpɛma’s drummers don’t travel 10. comes from being trained as a foundation before experience
11. example: Mossi dance; Alhaji Ibrahim watched and learned the different drum parts; important to notice differences; Mossis and Yarisis 12. example: Alhaji Ibrahim can beat Mossi language clearly without understanding it 13. have to adjust beating to the other tribe; example: beating guŋgɔŋ to resemble Mossi drumming 14. Alhaji Ibrahim’s learning is different from many other Dagbamba drummers; knows the differences 15. different ways to hold guŋgɔŋ; the sound is important for correct beating 16. example: compare Jɛblin beating Gbada with a drummer who added Dagbamba styles; fit the sound but were not correct 17. importance of learning work well; example: how Alhaji Ibrahim beats Kotokoli dances
18. example: in South, beating Jebo for a Kotokoli princess 19. Alhaji Ibrahim accurately beat Jebo drum language styles; people questioned him 20. how the Kotokoli drummer asked Alhaji Ibrahim where he learned Kotokoli beating
21. beaten differently for Dagbamba and Kotokolis (Gaabiti), because of language 22. Hausa form of Zamanduniya is different: Hankuri Zamanduniya 23. Dagbamba form is Ayiko; only some drummers know the differences in all three 24. Zamanduniya brought to Dagbon by Alhaji Adam Mangulana; not an old dance 25. Ayiko was there when Alhaji Ibrahim was a child; how Alhaji Mumuni and Sheni used to beat drums in the market 26. the name of Ayiko has been absorbed into Zamanduniya; only old drummers know it 27. many styles in Zamnaduniya; Alhaji Ibrahim knows the differences and can beat them clearly 28. to beat it correctly, the drum and the guŋgɔŋ have to answer one another
29. Dagbamba heard it from Hausas first; originally Kotokoli; Hausas beat it without guŋgɔŋ 30. Alhaji Ibrahim’s group beatsa it the same way ass the people whose dance it is 31. Ŋun’ da nyuli styles can fit well inside Adamboli, but a mistake that spoils Adamboli
32. Bassaris are close to Kotokolis; have lunsi drummers; Alhaji Ibrahim learned in Accra; taught Tamale drummers to beat it 33. Chilinsis use only guŋgoŋ; Alhaji heard it ansd taught Tamale drummers 34. Zambarima dance: Alhaji Ibrahim learned it in Kumasi and Accra; also for Dandawas, beat Gbada 35. Wangaras and Ligbis: Kurubi; Wangara dance at Kintampo during Ramadan for unmarried girls; young men hire drummers 36. how the girls dress and dance; one has to travel to see it 37. Gurunsi dance: Alhaji Ibrahim learned it at Kumasi and Kintampo 38. Konkomba dance: Alhaji Ibrahim learned it in Yendi; description of the instruments and the scene 39. how Alhaji Ibrahim brought the Konkomba dance to Tamale and showed how to beat it 40. Frafra, Ashanti, Gurunsi dances: watch them and learn how they beat 41. no other tribe can beat Dagbamba dances, not even Mamprusis; Dagbamba beat their dance 42. Kusasis don’t use drums, so Dagbamba don’t beat their dance, but beat Damba for them
43. Alhaji Ibrahim’s group always knows how to beat for any dancer; from traveling and learning 44. learning the easy parts of drumming; learn the ways of different places, know how they change; follow the local styles 45. once you learn something so that it is easy, it is not difficult to learn other ways of doing it; need to travel 46. learn from somebody who knows it well, then travel and use sense to add 47. John is learning drumming like that
When they give food for people to come and eat, those who are first will eat
more than those who come last.
Learning is in the heart, and if your heart is bright, you will get what they
have taught you,
When you stand and watch someone doing some work, and you want to do that
work, if he is not going to teach you and you are only going to watch him,
then you can still do the work he is doing.
If you want to learn work, you have to try your best to learn it well.
It is good for you to travel out to towns.
You have to have patience to sit in the world.
If you are a drummer, you don’t sit only in your town.
It is roaming that will let you learn more.
When you learn something well, if someone says it is difficult, you will say
it is not difficult.
The eye-opening of drumming is just to be traveling all around. If you
don’t travel, your sense is only one-way. It is in the traveling
that you will see all the good ways of beating and all the bad ways of
If you want to learn drumming, you have to learn it from someone who knows
much about it.
It is good, if you want to learn drumming, you should learn from someone who
knows it well.
If you want to teach somebody how to drum, you show him all the corners in the
drumming so that he will also know it.
As you are going around, you should use your sense and be adding to what you